What are you working on?
This is the question I ask my students before we dive into their work, whether it's in a playwriting or acting class. It starts a conversation, not a critique. In my work as a director and an Assistant Professor, I find that the most successful scripts aren't necessarily the ones that follow a rigid formula (inciting incident by page 10, etc.), but are the ones where the playwrights' intention is aligned with what is on the page.
That's the deep, academic, artist-centered philosophy I bring to my consultation, and I'm looking to help playwrights of all levels bridge the gap between their vision and the draft in front of them.
Rates
A pay-what-you-can option will be available to the first three inquiries.
After the PWYC slots have been filled, rates are tiered based upon the length of the script (Ten-Minute, One-Act, Full Length). I will provide a specific quote in my followup email.
Additionally, one Full-Length script review will be gifted for free every month, chosen by lottery.